Hermannshof, Germany - Part II

Hermannshof is a fantastic, public experimental garden hidden in the small town of Weinheim in south-west Germany. The aim of Hermannshof is to showcase “successful examples of new directions in planting design, especially in the naturalistic planting style”. There is too much interesting stuff happening in this garden for just one blog, so this is part two. Last time I tried to give a little tour of the North American perennial garden, which uses many of the very striking flowering perennials we've come to know and love through the New Perennial movement. Although the North American perennial garden is open and uses a mix of both perennials and grasses, it’s a perennial flower garden rather than a prairie inspired garden. The separate prairie inspired gardens are the topic of this post.


The prairie gardens are found at the entrance section to Hermannshof, and are based on the tall and mixed grass prairies of North America. But signs are quick to point out that the gardens are not meant as a re-creation of a prairie, but rather an artistic interpretation of the prairie idea, which seems to so captivate European gardeners.


I found it very interesting to contrast these gardens with the previous North American perennial sections. Grasses make up the bulk of the planting, with flowering plants mixed in but at a pretty low percentage. The colour is predominantly green in early August, though it would be very interesting to see it later in the year as grass seed heads and fall colours become more apparent.


The planting seemed extremely informal and relaxed, but I think that belies its complexity. Flowering perennials were mixed in with layers of grasses in intricate ways. In some instances, there were large colonies of certain flowers, such as Echinacea angustifolia below. In other cases, many different single plants could be found in a small area. I wonder how much of this is controlled and how much is self-seeded, and what they do for maintenance in this garden.





In early August, the height of the plants was already impressive. Walking down some paths, you felt completely swallowed by the vegetation. The best 'garden' experience in my mind.



Although the North American prairie garden did get top billing, there were also two sections devoted to its European cousin, the Mediterranean steppe. I particularly liked one of them, which was used as a lead-in to the woodland sections. Shorter grasses dominated the scenery, and I especially admired the fluffy, soft seedheads of the grass below. Anyone know what it might be? Autumn moor grass (Sesleria autumnalis) also looked great, with very clean, bright green foliage. It was the perfect partner to lime green Peucedanum verticellare, which I didn't know before but it was used to great effect throughout this area.

Autumn moor grass (Sesleria autumnalis) in the foreground and the umbellifer Peucedanum verticellare (or Angelica verticillaris)

The prairie and steppe sections at Hermanshof are some of the most complex and interesting gardens I have seen so far, and I think it’s especially impressive to find them in a public park. It’s quite bold to use so few flowering plants in a public garden in a very non-traditional design. But there were a lot of people walking around who really seemed to enjoy themselves and pay close attention. Perhaps a small example that people will respond to many kinds of gardens.


I'm afraid there will have to be a part three for Hermannshof – it's getting late and I just haven't had the time to go through all the woodland pictures yet. And I have to pack for a trip home to Canada! Hurray!

Hermannshof, Germany

Of all the gardens showcasing the exciting horticultural developments now happening in Germany, Hermannshof is probably the best. It was at the top of my garden visiting list for a while before I finally made it there last summer. Hermannshof combines everything that is great in German garden design. First, it is a public park and free for anyone to stumble into. Second, everything in the garden is an experiment, and thus always changing, exploring and pushing boundaries. You can see almost everything in this garden because noses are not turned up at any plant family – there are outrageously flashy annual beds side by side with decidedly understated and un-garden like meadows.



The declared aim of Hermannshof is to study and showcase the modern use of plants. The park is a playground for garden director Cassian Schmidt and head gardener Till Hofmann along with 7 garden staff. And they are playing with a lot of different things – woodland plants, annuals, water plants. But clearly their passion, if one is to judge by what covers the most ground, are prairies and meadows in their many incarnations.


The garden itself is not very large, about 2.2 ha (5.5 acres) in total. There is a densely planted area at the entrance, where several beds are separated by paths and buildings. From there opens the main area of the park, which is roughly square with a circular path around the outside. The plantings are arranged around this circular path, while the center is simply lawn, though it was my impression that the plants were slowly encroaching. The planting style changes rapidly as you move through the garden to showcase various styles or habitats.

A much better map can be found on the garden website here.

Close to the park entrance, one first encounters the annual beds. Although I didn't necessarily like all the plants used (I'm biased against certain annuals, such as amaranthus), it was an extremely interesting experiment which proves you can create a very intricate and rewarding planting tapestry based on annuals.

These 'summary' plant labels were posted in some areas, and I thought they really great. Rather than having to crawl around the beds to try to find a tag on each plant, here was everything together! Unfortunately, there were only a few of them around the park.

Past these beds begins one of the real show pieces of the garden, the North American perennial section. This is not a prairie inspired garden as there are mainly flowering perennials and only a few grasses (I'll have to save the real prairie sections for the next blog - I think Hermannshof is just too overwhelming for a single post). The first sections here were just bursting at the seams with the colour and exuberance of helianthus, rudbeckia and annual zinnia. Again, there was a handy summary label, though only some of the plants were listed.

We visited on August 8th (this was actually an earlier trip than the one to Peter Janke's garden.. it's all starting to blend together). Already a lot of dry seedheads, such as echinops, were playing a big role.

There were also some more subtle colour combinations in places, which were certainly not any less striking. Something to learn from each creation in this place.

Next time - the prairie inspired gardens at Hermannshof! Hopefully coming sooner than one month from now.

Peter Janke Garden, Germany

I have been very, very behind on my blog lately. A common complaint in the blogosphere, usually followed by a vow to do better, which never materializes. My impression is that making unrealistic blog resolutions is the beginning of the end of a blog. So I'm not going to make any promises, only try to keep plugging away at the many gardens still in my un-blogged stash.

I am now finally getting around to the Germany trip of last fall, one of my best garden visiting trips so far. The first garden we went to was Peter Janke's in Hilden (near Dusseldorf), which I learned about through James Golden's Federal Twist blog. Janke is a nurseryman, garden designer, and one of the leading figures in the exciting German landscape design scene.

His garden is a very large, rectangular piece of land, bordered by a very busy road on one side and an impressive mature forest on all others. The driveway bisects the property from the road, and leads to the central house and nursery. The driveway is the first impressive feature of the garden, with a very simple but striking use of Verbena bonarensis as edging along both sides (about 20m long stretch I would guess).


The right half of the front garden is occupied by a simple meadow with a circular pattern of mown grass in the middle, as well as a mown path bordered by fruit trees. At the time of our visit, the grass was uniformly tan in colour, with few other interlaced plants.


The left half of the front garden is taken up by the gravel garden, inspired by Beth Chatto's work in Essex. Peter Janke has studied with Chatto and credits her as a great influence on his work. This garden was absolutely spectacular at the time of our visit on September 4th. Everything seemed to sparkle in the autumn sun: delicate grass blades and seed heads, silver foliage, papery fall blooms and spiky dried flower heads.




At the back of the property lies the woodland garden, where the presence of the mature forest is keenly felt. This garden is cool and wet, in contrast to the open front areas. Simple mulch paths snake through it, along the edge of the forest. The garden is so lush you can hardly see outside of it. Many small and larger ponds are hidden between the foliage, and some were covered in a copper or rust coloured film. I'm not sure what the source of this is, but it made for an interesting contrast with the surrounding green.




Everywhere in the garden, there were little details that caught my eye, such as the interesting border edge below.


Or the wild abundant herb garden, with plants popping up through every crack in the paving, creating that beautiful contrast between geometrical and organic lines.


And the imaginatively pruned or placed trees throughout the property.



It was definitely a treat to be able to visit this garden. It combines a great mix of modern and classic, both in the design and the plants. It might have been even better if I spoke German as Peter Janke did a tour of the garden (we visited on a special open day). Would have loved to learn from what he had to say, although the garden was already a good teacher by itself.

Helen Dillon Garden, Ireland

A few weeks ago, we were in Ireland for a wedding and family reunion. But high up on my scheming gardener's mind was, of course, visiting gardens. What self respecting gardener could possibly find herself in Dublin and not make a visit to Helen Dillon’s iconic garden?

The Dillon garden is set in a Dublin suburb, on a little street just off a main road. The front yard provides the first hint that a gardener lives here: it contains no less than 51 birches concentrated around the perimeter of the garden. That may sound like a ridiculously high number of trees for such a small space, but it actually works. I’m not sure how they will grow over the long term, but it is an example of not being too afraid to plant trees close together – they are used to growing in a community and touching each other! Our obsession with leaving miles of space around trees allows them to grow into huge specimens, but it’s not the only option.


The main garden, the one we’ve all seen in pictures, is in the back. I already knew what to expect, but it was still stunning to see it first-hand. The best view, we were informed, is from the living room window (picture below, snapped in a hurry). Not many people can say that they look out to that from their couch. I couldn’t help but imagine what it would be like if everyone actually decided to do something with their suburban backyard, something crazy and passionate like Dillon has. Wouldn’t our towns and neighborhoods be so much richer and more beautiful?


Our visit was in the middle of May and the borders already felt complete. Unfortunately, it was too early to have the full effect of the hot and cool borders on either side of the pond. But we could still enjoy the careful planting of every nook and corner, the many studied plant combinations and of course the drama of the central pond. I even managed to meet and ask a few questions of the very energetic and friendly lady of the house. Best of all, at the end of our visit, Dillon’s husband Val, inquired if we’re from the “gardening world”! Um, er, no, but wouldn’t it be fun to be able to say yes to that question one day.